285 Free Artworks of Red Chalk And Graphite

paper yale center for british art drawings in the yale center for british art henry thomas alken pen and brown ink realism british museum prints by william hogarth in the british museum william hogarth metropolitan museum of art

Interior of Saint Bavo's Church, Haarlem, Pieter Jansz. Saenredam, 1635

drawings by pieter jansz. saenredam in the national gallery of art drawings in the national gallery of art (washington, d.c.)

The Virgin Entrusting the Christ Child to Saint Francis of Assisi, Gaspare Diziani, between 1689 and 1767

religious drawings in the metropolitan museum of art drawings by gaspare diziani

Study for "M. de Pourceaugnac", Jean-Baptiste Pater

drawings in the metropolitan museum of art drawings by jean-baptiste pater

Design for a Frontispiece: A Bishop Conferring an Honor, Scene Within a Cartouche, Hubert-François Gravelot

watercolor paintings in the yale center for british art rococo

Design for a Medal: Boths Hand Fil'd for Britain, Hubert-François Gravelot, between 1734 and 1736

watercolor paintings in the yale center for british art rococo

Scene Four from the Life of the Reverend Jean de la Barrière, Mathieu Elias, 1696

drawings in the metropolitan museum of art mathieu elias

Scene One from the Life of the Reverend Jean de la Barrière, Mathieu Elias, 1692

drawings in the metropolitan museum of art mathieu elias

Design for a Cartouche-Shaped Gold Box, Hubert-François Gravelot

drawings by hubert-françois gravelot rococo

Portrait of a Young Lady with an Amber Necklace, Thomas Lawrence, 1814

portrait drawings by thomas lawrence romanticism

Design for a sepulchral monument with two figures, Pieter Verbrugghen the Younger

drawings in the metropolitan museum of art drawings by pieter verbrugghen ii

Scene Six from the Life of the Reverend Jean de la Barrière, Mathieu Elias, 1690

drawings in the metropolitan museum of art mathieu elias

A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl: Fowl Body, Lateral View (Study for key figure to Table X), George Stubbs, 1795 to 1806

chicken anatomy by george stubbs romanticism

Amorous Couple, Jacob Matham, circa 1623

drawings in the j. paul getty museum drawings by jacob matham

Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through, Henry Thomas Alken

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week, Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching, Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun., Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

Allegory of Fame, Charles-Nicolas Cochin, 1773

drawings in the national gallery of art (washington, d.c.)drawings by charles-nicolas cochin fils

Corps de Garde (Barbarians Defeated by a Book), Philip James de Loutherbourg

drawings in the yale center for british art philipp jakob loutherbourg d. j.

Anne Ward Morland, George Morland, circa 1786

drawings in the national gallery of art (washington, d.c.)george morland

"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

Sketchbook containing 81 drawings and 2 engravings of self-portraits, Hamlet Winstanley, between 1715 and 1720

sketchbook of drawings and engraved self-portraits by hamlet winstanley sketchbooks in the yale center for british art

Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt., Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road, Henry Thomas Alken, between 1809 and 1823

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" ', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" ', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One., Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil, Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth., Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse, Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

Paul Gauguin by Archibald Standish Hartrick, 1913, red and black chalk, watercolor, and opaque watercolor over graphite - Courtauld Institute of Art, London - DSC00756, Paul Gauguin

post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivism portraits of paul gauguin

Scene from "The Tomb of Master André", Claude Gillot, c. 1705/1708

drawings in the national gallery of art (washington, d.c.)drawings by claude gillot

A Cleric Accompanying a Lady on Her Morning Walk, Pierre Thomas Le Clerc, 1778/80

drawings in the national gallery of art (washington, d.c.)gift of gertrude laughlin chanler

Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark., Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could, Henry Thomas Alken, between 1809 and 1823

drawings in the yale center for british art henry thomas alken

Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory., Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers., Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,, Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome, Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed., Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

A Comparative Anatomical Exposition of the Structure of the Human Body with That of a Tiger and a Common Fowl: Human Figure, Posterior View (Finished Study for an Unpublished Plate), George Stubbs, 1795 to 1806

drawings by george stubbs romanticism

Gustave Moreau, Fortune and the Child 1883. Watercolour, gouache, graphite and red chalk, Gustave Moreau

fortune and the child (1883) by gustave moreau symbolism

Study of a Man's Head with a Full Beard, Alphonse Legros

drawings by alphonse legros in the national gallery of art (washington, d.c.)realism

Portrait Studies of Mary Wills in Cowsslip, John Kemble, Edmund Kean and Mrs. Siddons, March 31, 1802 and April 1, Samuel De Wilde

drawings in the yale center for british art samuel de wilde

Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck, Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

Study for the Portrait of Mr. Coleman: seated facing front, left hand on hip, right arm on table, Alfred Stevens

drawings in the yale center for british art social realism

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty, Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn, Henry Thomas Alken, between 1818 and 1822

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself', Henry Thomas Alken, between 1831 and 1832

drawings in the yale center for british art henry thomas alken

Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,, Henry Thomas Alken, between 1822 and 1827

drawings in the yale center for british art henry thomas alken

Drawing, Project for Carved Panelling, 1650, Giovanni Francesco Romanelli

interior design drawings in the cooper–hewitt, smithsonian design museum drawings by giovanni francesco romanelli

Portrait of Théodore Tronchin (médecin), Jean-Etienne Liotard, c. 1763, graphite, black and red chalk, blue watercolour on paper, 24.2 by 18.5 cm, private collection, Jean-Étienne Liotard, 1 January 1763

portrait drawings by jean-étienne liotard théodore tronchin

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before', Henry Thomas Alken, between 1831 and 1832

gouache works in the yale center for british art henry thomas alken

Lucien Ott Portrait d'un officier 001, Lucien Ott

Gustave Moreau, The Dream of an Inhabitant of Mongolia, 1881. Watercolour, gouache, graphite and red chalk, Gustave Moreau

watercolor paintings by gustave moreau symbolism

Gustave Moreau, The Animals Stricken with the Plague, 1883. Watercolour, gouache, graphite and red chalk, Gustave Moreau

watercolor paintings by gustave moreau symbolism

Gustave Moreau, The Head and Tail of the Snake (detail), 1884. Watercolour, gouache, graphite and red chalk, Gustave Moreau

watercolor paintings by gustave moreau symbolism

Gustave Moreau, The Elephant and the Monkey of Jupiter, 1882. Watercolour, gouache, graphite, pen and ink and red chalk, Gustave Moreau

watercolor paintings by gustave moreau symbolism

Gustave Moreau, The Frogs who Ask for a King, 1884. Watercolour, gouache, graphite and red chalk, Gustave Moreau

the frogs who ask for a king (1884) by gustave moreau symbolism

Adam en Eva, RP-T-1997-12(R), Adriaen van der Werff, between 1669 and 1722

dutch 18th-century drawings in the rijksmuseum amsterdam baroque

Christ bearing the cross LCCN2005696656, Jan Gossaert, 1500

drawings (master) collection in the library of congress prints by jan gossaert

CoypelHistoireTemps, Charles-Antoine Coypel, 1726

drawings by charles-antoine coypel allegories

John James Audubon - Northern Bobwhite and Red-shouldered Hawk watercolor study, circa 1825

audubon paintings in the new york historical society buteo lineatus (illustrations)

Francesca Cuzzoni, soprano, Philippe Mercier

francesca cuzzoni philippe mercier

Sight (One of the Five Senses), Hendrik Goltzius

drawings by hendrick goltzius in the museum boijmans van beuningen mannerism

Print study, drawing, William Hogarth, between 1746 and 1747

prints by william hogarth in the british museum realism

Print study, drawing, William Hogarth, between 1746 and 1747

prints by william hogarth in the british museum realism

Print study, drawing, William Hogarth, between 1746 and 1747

prints by william hogarth in the british museum realism

Print study, drawing, William Hogarth, between 1746 and 1747

prints by william hogarth in the british museum realism

Een man en een vrouw op de kant van een bevroren rivier, RP-T-1887-A-1147, Hendrick Avercamp, between 1595 and 1634

drawings by hendrick avercamp in the rijksmuseum amsterdam drawings of peasants

Lyon 1er - Musée des Beaux-Arts - Exposition Les Flandrin, artistes et frères - Maquette du décor de l'escalier du palais Saint-Pierre, Pierre Puvis de Chavannes

escalier puvis de chavannes symbolism

Print study, drawing, William Hogarth, between 1746 and 1747

prints by william hogarth in the british museum realism

Print study, drawing, William Hogarth, between 1746 and 1747

prints by william hogarth in the british museum realism

Etude de personnages enlacés, 93.1.55

drawings in the musée de la vie romantique romanticism

Drawing, print study, William Hogarth, between 1746 and 1747

prints by william hogarth in the british museum realism

Drawing, print study, William Hogarth, between 1746 and 1747

prints by william hogarth in the british museum realism

Drawing, print study, William Hogarth, between 1746 and 1747

prints by william hogarth in the british museum realism

Print, extra-illustrated book, Joseph Skelton

coloured lithographs in the british museum percy smythe, 6th viscount strangford

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